Cover and technical information
pp. 1-4, Portuguese and English
DOI: 10.14568/cp22fm1
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Editorials |
Foreword
Irina Sandu
pp. 5-6, Portuguese and English
DOI: 10.14568/cp22fm2
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Articles |
Gilding and painting: the artistic polyvalence of the gilders masters in Lisbon during the age of the baroque
Sílvia Ferreira
pp. 7-16, Portuguese
DOI: 10.14568/cp2015017
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Typical conservation problems of polychrome wooden sculptures in Slovenia
Martina Vuga, Miladi Makuc Semion
pp. 17-27, English
DOI: 10.14568/cp2015009
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All that glitters is not gold: silver leaf gilding, another means to an end
Tiago Dias, Elsa Murta, Cristina Barrocas Dias, Vítor Serrão
pp. 29-40, English
DOI: 10.14568/cp2015014
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Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study
M. Oliveira, E. Murta, L. Dias, J. Mirão, A. Candeias
pp. 41-49, English
DOI: 10.14568/cp2015011
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Gold and not so real gold in Medieval treatises
Srebrenka Bogovic-Zeskoski
pp. 51-58, English
DOI: 10.14568/cp2015018
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Gilders and painters-gilders in the Golden Age of Évora
Antónia Fialho Conde, Custódia Araújo, Milene Gil
pp. 59-66, English
DOI: 10.14568/cp2015016
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Notes |
Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries
Patrícia Alexandra Rodrigues Monteiro
pp. 67-72, English
DOI: 10.14568/cp2015015
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Varia |
Norms for collaboration and author guidelines
pp. 73-78, Portuguese and English
DOI: 10.14568/cp22bm1
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