Versão em português
No. 22
2015
PDF | RIS
DOI: 10.14568/cp22

 

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Cover and technical information

pp. 1-4, Portuguese and English

Abstract | PDF

DOI: 10.14568/cp22fm1

Foreword

Irina Sandu

pp. 5-6, Portuguese and English

Abstract | PDF

DOI: 10.14568/cp22fm2

Articles

Gilding and painting: the artistic polyvalence of the gilders masters in Lisbon during the age of the baroque

Sílvia Ferreira

pp. 7-16, Portuguese

Abstract | PDF | RIS

DOI: 10.14568/cp2015017

Typical conservation problems of polychrome wooden sculptures in Slovenia

Martina Vuga, Miladi Makuc Semion

pp. 17-27, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015009

All that glitters is not gold: silver leaf gilding, another means to an end

Tiago Dias, Elsa Murta, Cristina Barrocas Dias, Vítor Serrão

pp. 29-40, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015014

Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study

M. Oliveira, E. Murta, L. Dias, J. Mirão, A. Candeias

pp. 41-49, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015011

Gold and not so real gold in Medieval treatises

Srebrenka Bogovic-Zeskoski

pp. 51-58, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015018

Gilders and painters-gilders in the Golden Age of Évora

Antónia Fialho Conde, Custódia Araújo, Milene Gil

pp. 59-66, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015016

Notes

Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries

Patrícia Alexandra Rodrigues Monteiro

pp. 67-72, English

Abstract | PDF | RIS

DOI: 10.14568/cp2015015

Varia

Norms for collaboration and author guidelines

pp. 73-78, Portuguese and English

Abstract | PDF

DOI: 10.14568/cp22bm1

Stable url: http://dx.doi.org/10.14568/cp22


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ARP | Associação Profissional de Conservadores-Restauradores de Portugal