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N.º 22 2015 PDF | RIS | Endnote DOI: 10.14568/cp22 |
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GILT-EnArt 2015 - Gilding Materials and Techniques in European Art Évora
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Cover and technical information pp. 1-4, Portuguese and English DOI: 10.14568/cp22fm1 |
Editorials |
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Foreword pp. 5-6, Portuguese and English DOI: 10.14568/cp22fm2 |
Articles |
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Gilding and painting: the artistic polyvalence of the gilders masters in Lisbon during the age of the baroque pp. 7-16, Portuguese DOI: 10.14568/cp2015017 |
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Typical conservation problems of polychrome wooden sculptures in Slovenia Martina Vuga, Miladi Makuc Semion pp. 17-27, English DOI: 10.14568/cp2015009 |
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All that glitters is not gold: silver leaf gilding, another means to an end Tiago Dias, Elsa Murta, Cristina Barrocas Dias, Vítor Serrão pp. 29-40, English DOI: 10.14568/cp2015014 |
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Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study M. Oliveira, E. Murta, L. Dias, J. Mirão, A. Candeias pp. 41-49, English DOI: 10.14568/cp2015011 |
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Gold and not so real gold in Medieval treatises pp. 51-58, English DOI: 10.14568/cp2015018 |
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Gilders and painters-gilders in the Golden Age of Évora Antónia Fialho Conde, Custódia Araújo, Milene Gil pp. 59-66, English DOI: 10.14568/cp2015016 |
Notes |
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Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries Patrícia Alexandra Rodrigues Monteiro pp. 67-72, English DOI: 10.14568/cp2015015 |
Varia |
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Norms for collaboration and author guidelines pp. 73-78, Portuguese and English DOI: 10.14568/cp22bm1 |
Publication: 2016-1-27
Online: 2016-1-27
Stable url: https://doi.org/10.14568/cp22
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